{"id":24485,"date":"2012-11-27T20:19:12","date_gmt":"2012-11-28T04:19:12","guid":{"rendered":"http:\/\/9n2.ac0.myftpupload.com\/1313\/?p=4459"},"modified":"2012-11-27T20:19:12","modified_gmt":"2012-11-28T04:19:12","slug":"frame-rate-delay-pro-tools-offset-calculator","status":"publish","type":"post","link":"https:\/\/ericbeam.com\/?p=24485","title":{"rendered":"Frame Rate Delay &#038; Pro Tools Offset Calculator"},"content":{"rendered":"<p>Out of frustration I created a little Frame Rate Delay &amp; Pro Tools Offset\u00a0Calculator. It displays\u00a0millisecond duration for\u00a0frame, 1\/4 frame, &amp; sample duration. It also\u00a0calculates\u00a0pro tools\u00a01\/4 frame video offsets.<\/p>\n<p><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4463\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=4463\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture.png\" data-orig-size=\"1096,151\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Capture\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-1024x141.png\" class=\"size-large wp-image-4463 aligncenter\" title=\"Capture\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-1024x141.png\" alt=\"\" width=\"600\" height=\"83\" srcset=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-1024x141.png 1024w, https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-150x21.png 150w, https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-640x88.png 640w, https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-768x106.png 768w, https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-308x42.png 308w, https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture.png 1096w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>I was sick of figuring out the math\u00a0every time\u00a0I needed to\u00a0time-align pro tools video &amp; audio outputs. For those unaware all video displays\/projectors\u00a0introduce\u00a0processing\u00a0delay. Once you figure out the offset between the display &amp; your audio outputs (that&#8217;s\u00a0a much longer post) you can use this to figure out the\u00a0pro tools 1\/4 frame video offset.<\/p>\n<p>Download<\/p>\n<ul>\n<li><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Frame-Rate-Delay-Pro-Tools-Offset-Calc.ods\">Frame Rate Delay &amp; Pro Tools Offset Calc.ods<\/a><\/li>\n<li><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Frame-Rate-Delay-Pro-Tools-Offset-Calc.xls\">Frame Rate Delay &amp; Pro Tools Offset Calc.xls<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Out of frustration I created a little Frame Rate Delay &amp; Pro Tools Offset\u00a0Calculator. It&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/ericbeam.com\/?p=24485\">Read the post<span class=\"screen-reader-text\">Frame Rate Delay &#038; Pro Tools Offset Calculator<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[263,319],"class_list":["post-24485","post","type-post","status-publish","format-standard","hentry","category-ticks-tips-tricks","tag-pro-tools","tag-video-offset","excerpt","zoom","full-without-featured","even","excerpt-0"],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":24427,"url":"https:\/\/ericbeam.com\/?p=24427","url_meta":{"origin":24485,"position":0},"title":"Pro Tools 3rd Party interface record offset. Explained by Dead Man Johnson&#8230;","author":"Eric","date":"August 4, 2011","format":false,"excerpt":"Ever wonder why the timing of what you record sounds so off? Or why you get phase problems while parallel processing out of the box? Well you might just have horrible timing, or you might need to figure out your I\/O offsets.\u00a0 A\/D D\/A's, drivers, & software can all contribute\u2026","rel":"","context":"In &quot;Ticks, Tips, &amp; Tricks&quot;","block_context":{"text":"Ticks, Tips, &amp; Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":24573,"url":"https:\/\/ericbeam.com\/?p=24573","url_meta":{"origin":24485,"position":1},"title":"SSL Duende \/ Pro Tools 12.6 Work Around","author":"Eric","date":"October 4, 2016","format":false,"excerpt":"Pro Tools 12.6 & the SSL Duende plug-ins do not play nice. After a few hours of trial & error, I got a workaround! I saved a session with a single Aux track with a single Kush Audio Transformer N insert. Open this session. Load any previous or create a\u2026","rel":"","context":"In &quot;Ticks, Tips, &amp; Tricks&quot;","block_context":{"text":"Ticks, Tips, &amp; Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24368,"url":"https:\/\/ericbeam.com\/?p=24368","url_meta":{"origin":24485,"position":2},"title":"Digital EQ Fact &#038; Myth.","author":"Eric","date":"March 11, 2009","format":false,"excerpt":"\u00a0 All Digital Parametric EQ's are the same. Read the entire post to fully understand the statement. You might be sitting there thinking (hey my Waves, URS, Vox, blah blah sound completely different). With some emulation plugins you have EQ+X. X can = Saturation, bandwidth limits, softclips, offset numerical values,\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":24442,"url":"https:\/\/ericbeam.com\/?p=24442","url_meta":{"origin":24485,"position":3},"title":"MPC3000 vs Pro Tools","author":"Eric","date":"March 24, 2011","format":false,"excerpt":"I decided to run a quick comparison between programming a 2 bar drum loop via the Akai MPC 3000 & doing the same via Protools\/midi track & a software sampler. I used the same samples for both. (my MFB-522 sample set.) I transferred the samples into the MPC via the\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":24433,"url":"https:\/\/ericbeam.com\/?p=24433","url_meta":{"origin":24485,"position":4},"title":"Preparing file based video for audio 101. (Mp4,Quicktime,WMV,AVI,ect)","author":"Eric","date":"September 27, 2010","format":false,"excerpt":"Part One - The basics #1 Container formats. .mov .wmv .mp4 .mp4 .avi . mkv, ect These are not video formats. Think of these as boxes that can contain any combination of video & audio codecs #2 codec (coder-decoder) Example - h.264, ProRes, DV, windows media a\/v, mpeg 1\/2\/4,\u00a0 aac,\u2026","rel":"","context":"In &quot;Ticks, Tips, &amp; Tricks&quot;","block_context":{"text":"Ticks, Tips, &amp; Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2010\/09\/Capture2.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24674,"url":"https:\/\/ericbeam.com\/?p=24674","url_meta":{"origin":24485,"position":5},"title":"Quarantine Seven. &#8211; 39 Past.","author":"Eric","date":"August 28, 2020","format":false,"excerpt":"https:\/\/youtu.be\/Si_-bcNqnPw This week's experimental improv. Well, it was one of those weeks. The fix called for some Bass, Distortion, & Wine. Synth sequence is brought to you by the @sequential_llc Pro 3. Bass chain is a G&L via a DS-1, chorus, delay, darkglass into @audio.damage 's Enso. Of course the\u2026","rel":"","context":"In &quot;Everything Else&quot;","block_context":{"text":"Everything Else","link":"https:\/\/ericbeam.com\/?cat=1"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/quarantine-seven-39-past.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24485"}],"version-history":[{"count":0,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24485\/revisions"}],"wp:attachment":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}