{"id":24427,"date":"2011-08-04T11:30:01","date_gmt":"2011-08-04T18:30:01","guid":{"rendered":"http:\/\/9n2.ac0.myftpupload.com\/presetblog\/?p=1022"},"modified":"2011-08-04T11:30:01","modified_gmt":"2011-08-04T18:30:01","slug":"audio-interface-timing-calibration","status":"publish","type":"post","link":"https:\/\/ericbeam.com\/?p=24427","title":{"rendered":"Pro Tools 3rd Party interface record offset. Explained by Dead Man Johnson&#8230;"},"content":{"rendered":"<p>Ever wonder why the timing of what you record sounds so off? Or why you get phase problems while parallel processing out of the box? Well you might just have horrible timing, or you might need to figure out your I\/O offsets.\u00a0 A\/D D\/A&#8217;s, drivers, &amp; software can all contribute to this problem.<\/p>\n<p><span style=\"color: #ff0000;\">Video Update for Pro Tools 11.<\/span><!--more--><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XIOPi1bAqcg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><del><span style=\"text-decoration: underline;\"><strong>Time aligning Pro Tools 9<br \/>\n<\/strong><\/span><\/del><\/p>\n<p><del>1. Decide &amp; commit to a playback engine\/buffer setup that works well for your needs. (The offset will be different for each setting.)<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/buffer.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3169\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3169\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/buffer.png\" data-orig-size=\"556,606\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"buffer\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/buffer.png\" class=\"alignnone size-medium wp-image-3169\" title=\"buffer\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/buffer-275x300.png\" alt=\"\" width=\"275\" height=\"300\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>2. Create an AUX &amp; Bus path for every physical output. (These will now become your outputs of choice. You should no longer use the direct outputs.)<\/del><\/p>\n<p><del>For demonstration reasons i&#8217;ll keep it simple. In this setup I have one pair of interface outputs &amp; one pair of additional D\/A outputs.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/auxsetup.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3170\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3170\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/auxsetup.png\" data-orig-size=\"1680,1050\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"auxsetup\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/auxsetup-1024x640.png\" class=\"alignnone size-medium wp-image-3170\" title=\"auxsetup\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/auxsetup-300x187.png\" alt=\"\" width=\"300\" height=\"187\" \/><\/a><\/del><\/p>\n<p><del><!--more--><\/del><\/p>\n<p><del>3. Download &amp; import my <a href=\"https:\/\/ericbeam.com\/temp\/Random%20Audio\/interface%20timing%20test%20file%20@%2048k.wav\">Timing .wav file<\/a> into a new audio track. Also create a new REC track.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/timing-file.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3171\" title=\"timing file\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/timing-file-300x187.png\" alt=\"\" width=\"300\" height=\"187\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>4. loop the output channels one at a time &amp; record the &#8220;timing file&#8221; back in onto dedicated REC tracks.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2011\/08\/loop-back-rec.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3184\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3184\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2011\/08\/loop-back-rec.png\" data-orig-size=\"1680,1050\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"loop back rec\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2011\/08\/loop-back-rec-1024x640.png\" class=\"alignnone size-medium wp-image-3184\" title=\"loop back rec\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2011\/08\/loop-back-rec-300x187.png\" alt=\"\" width=\"300\" height=\"187\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>5. Set the counter to &#8220;Samples&#8221; &amp; figure out the offset between the different outputs. (not the offset\u00a0 between the source)<\/del><\/p>\n<p><del>These two converters have a 34 sample offset.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3176\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3176\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset.png\" data-orig-size=\"800,462\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"input offset\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset.png\" class=\"alignnone size-medium wp-image-3176\" title=\"input offset\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset-300x173.png\" alt=\"\" width=\"300\" height=\"173\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>6. Now it&#8217;s time to &#8220;time align&#8221; the outputs. Delay the &#8220;faster&#8221; converters AUX channel to lineup with the &#8220;slower&#8221; by the calculated sample amount. If you only need &#8220;time aligned&#8221; outputs you can stop here.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/delay.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3175\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3175\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/delay.png\" data-orig-size=\"207,222\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"delay\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/delay.png\" class=\"alignnone size-full wp-image-3175\" title=\"delay\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/delay.png\" alt=\"\" width=\"207\" height=\"222\" srcset=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/delay.png 207w, https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/delay-140x150.png 140w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>7.\u00a0 Now we need to compensate for the &#8220;input rec offset&#8221;.\u00a0 Download &amp; install\/wrap<a href=\"http:\/\/www.expert-sleepers.co.uk\/downloads.html\"> Expert sleepers Latency Fixer plugin.<\/a> I haven&#8217;t been able to find a native RTAS equivalent.<\/del><\/p>\n<p><del>Now calculate the offset between the &#8220;slowest&#8221; output &amp; the source file.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3176\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3176\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset.png\" data-orig-size=\"800,462\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"input offset\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset.png\" class=\"alignnone size-medium wp-image-3176\" title=\"input offset\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/input-offset-300x173.png\" alt=\"\" width=\"300\" height=\"173\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>8. Insert the &#8220;Latency Fixer plugin&#8221; across all the AUX outputs. Dial in the plugin as close to the calculated input offset as possible . (overshoot &amp; compensate with the internal track delay to get it spot on if needed)<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/fixed.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3177\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3177\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/fixed.png\" data-orig-size=\"549,777\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"fixed\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/fixed.png\" class=\"alignnone size-medium wp-image-3177\" title=\"fixed\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/fixed-211x300.png\" alt=\"\" width=\"211\" height=\"300\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>9. You now have a perfectly time aligned DAW. Save this has your working template &amp; your good to go. Remember if you change playback engines you will have to re-calculate.<\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/set.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3178\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=3178\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/set.png\" data-orig-size=\"958,606\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"set\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/set.png\" class=\"alignnone size-medium wp-image-3178\" title=\"set\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2009\/12\/set-300x189.png\" alt=\"\" width=\"300\" height=\"189\" \/><\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del><span style=\"text-decoration: underline;\"><strong>For Sonar<\/strong><\/span><\/del><\/p>\n<p><del><a href=\"https:\/\/ericbeam.com\/temp\/Random%20Audio\/interface%20timing%20test%20file%20@%2048k.wav\">Timing .wav file &#8211; Download<\/a><\/del><\/p>\n<p><del>\u00a0<\/del><\/p>\n<p><del>Video displaying how to setup multiple device i\/o offsets in Sonar.<\/del><\/p>\n<p><del><code>[flashvideo file=https:\/\/ericbeam.com\/temp\/Random%20Video\/Audio%20offset%20video.mp4 \/]<\/code><\/del><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ever wonder why the timing of what you record sounds so off? Or why you<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/ericbeam.com\/?p=24427\">Read the post<span class=\"screen-reader-text\">Pro Tools 3rd Party interface record offset. Explained by Dead Man Johnson&#8230;<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":24428,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[16,261,33,263,111],"class_list":["post-24427","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ticks-tips-tricks","tag-ad-da","tag-calibration","tag-daw","tag-pro-tools","tag-sonar","excerpt","zoom","full-without-featured","even","excerpt-0"],"jetpack_featured_media_url":"https:\/\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg","jetpack-related-posts":[{"id":24485,"url":"https:\/\/ericbeam.com\/?p=24485","url_meta":{"origin":24427,"position":0},"title":"Frame Rate Delay &#038; Pro Tools Offset Calculator","author":"Eric","date":"November 27, 2012","format":false,"excerpt":"Out of frustration I created a little Frame Rate Delay & Pro Tools Offset\u00a0Calculator. It displays\u00a0millisecond duration for\u00a0frame, 1\/4 frame, & sample duration. It also\u00a0calculates\u00a0pro tools\u00a01\/4 frame video offsets. I was sick of figuring out the math\u00a0every time\u00a0I needed to\u00a0time-align pro tools video & audio outputs. For those unaware all\u2026","rel":"","context":"In &quot;Ticks, Tips, &amp; Tricks&quot;","block_context":{"text":"Ticks, Tips, &amp; Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-1024x141.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-1024x141.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/11\/Capture-1024x141.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24442,"url":"https:\/\/ericbeam.com\/?p=24442","url_meta":{"origin":24427,"position":1},"title":"MPC3000 vs Pro Tools","author":"Eric","date":"March 24, 2011","format":false,"excerpt":"I decided to run a quick comparison between programming a 2 bar drum loop via the Akai MPC 3000 & doing the same via Protools\/midi track & a software sampler. I used the same samples for both. (my MFB-522 sample set.) I transferred the samples into the MPC via the\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":24573,"url":"https:\/\/ericbeam.com\/?p=24573","url_meta":{"origin":24427,"position":2},"title":"SSL Duende \/ Pro Tools 12.6 Work Around","author":"Eric","date":"October 4, 2016","format":false,"excerpt":"Pro Tools 12.6 & the SSL Duende plug-ins do not play nice. After a few hours of trial & error, I got a workaround! I saved a session with a single Aux track with a single Kush Audio Transformer N insert. Open this session. Load any previous or create a\u2026","rel":"","context":"In &quot;Ticks, Tips, &amp; Tricks&quot;","block_context":{"text":"Ticks, Tips, &amp; Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2016\/10\/Capture.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24368,"url":"https:\/\/ericbeam.com\/?p=24368","url_meta":{"origin":24427,"position":3},"title":"Digital EQ Fact &#038; Myth.","author":"Eric","date":"March 11, 2009","format":false,"excerpt":"\u00a0 All Digital Parametric EQ's are the same. Read the entire post to fully understand the statement. You might be sitting there thinking (hey my Waves, URS, Vox, blah blah sound completely different). With some emulation plugins you have EQ+X. X can = Saturation, bandwidth limits, softclips, offset numerical values,\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/03\/517-150x102.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":24438,"url":"https:\/\/ericbeam.com\/?p=24438","url_meta":{"origin":24427,"position":4},"title":"Bring the noise!","author":"Eric","date":"December 13, 2010","format":false,"excerpt":"For everyone that designs, tests, creates, calibrates, or has an odd preference for what they consider \"listening enjoyment\", This is for you. Having calibrated utility & test files is a must for any audio engineer. The corner-stone being pink noise. When it comes to generating tones\/noise ITB I have found\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2010\/12\/artworks-000003586456-p0gpb9-t500x500.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24481,"url":"https:\/\/ericbeam.com\/?p=24481","url_meta":{"origin":24427,"position":5},"title":"Modified MXL 990 (RK-12 + microphone-parts.com\/Jim Williams PCB redesign)","author":"Eric","date":"August 28, 2012","format":false,"excerpt":"Finished soldering up\/shooting photos of an exciting soon to be released mic mod from microphone-parts.com. This particular mic started as a MXL 990. The capsule got swapped & the PCB\/components had a complete make over. The mic sounds wonderful. It's low-end response is insane. As a quick test before I\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/08\/7878945304_6acbd78e6b_c.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/08\/7878945304_6acbd78e6b_c.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/08\/7878945304_6acbd78e6b_c.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/08\/7878945304_6acbd78e6b_c.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24427"}],"version-history":[{"count":0,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24427\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/media\/24428"}],"wp:attachment":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}