{"id":24377,"date":"2008-03-17T12:15:12","date_gmt":"2008-03-17T19:15:12","guid":{"rendered":"http:\/\/9n2.ac0.myftpupload.com\/?p=5273"},"modified":"2025-03-03T11:31:37","modified_gmt":"2025-03-03T19:31:37","slug":"four-band-frequency-divider-audio-rack-for-live","status":"publish","type":"post","link":"https:\/\/ericbeam.com\/?p=24377","title":{"rendered":"Four band frequency divider audio rack for Live."},"content":{"rendered":"\n<p>This rack can be used for frequency dependent FX &amp; mastering purposes. This uses subtractive phase techniques vs&nbsp;filtering.<\/p>\n\n\n\n<p>Enjoy<br \/>Updated 4-21-08: New design with 24db filters &amp; improved signal flow for low-end separation. Still maintains 100% transparency.<\/p>\n\n\n\n<p><strong>Download<\/strong> &#8211;<a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/EricBeam-Transparent-Dividers-Live-Racks.zip\"> EricBeam-Transparent-Dividers-Live-Racks.zip<\/a><\/p>\n\n\n\n<p><strong>Outputs To Mixer Setup &#8211; <\/strong><a href=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divider-example.alp\" data-type=\"link\" data-id=\"divider-example.alp\">divider-example.alp<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" data-attachment-id=\"24982\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=24982\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/Freq-Split.png\" data-orig-size=\"640,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Freq-Split\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/Freq-Split.png\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/Freq-Split.png\" alt=\"\" class=\"wp-image-24982\" srcset=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/Freq-Split.png 640w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/Freq-Split-150x150.png 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1007\" height=\"667\" data-attachment-id=\"5280\" data-permalink=\"https:\/\/ericbeam.com\/?attachment_id=5280\" data-orig-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide.png\" data-orig-size=\"1007,667\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"divide\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide.png\" src=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide.png\" alt=\"\" class=\"wp-image-5280\" srcset=\"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide.png 1007w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-150x99.png 150w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-640x424.png 640w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-768x509.png 768w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-802x531.png 802w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-308x204.png 308w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-616x408.png 616w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-924x612.png 924w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-497x330.png 497w, https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide-255x170.png 255w\" sizes=\"auto, (max-width: 1007px) 100vw, 1007px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This rack can be used for frequency dependent FX &amp; mastering purposes. This uses subtractive&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/ericbeam.com\/?p=24377\">Read the post<span class=\"screen-reader-text\">Four band frequency divider audio rack for Live.<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":5280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-24377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ticks-tips-tricks","excerpt","zoom","full-without-featured","even","excerpt-0"],"jetpack_featured_media_url":"https:\/\/ericbeam.com\/wp-content\/uploads\/2008\/03\/divide.png","jetpack-related-posts":[{"id":24475,"url":"https:\/\/ericbeam.com\/?p=24475","url_meta":{"origin":24377,"position":0},"title":"Slate Digital VCC Analyzed","author":"Eric","date":"July 8, 2012","format":false,"excerpt":"After using Slate Digital VCC on the past few mixes, it was time to put it under the microscope. Curiosity had me wondering what changes if any were happening to the frequency spectrum, & harmonic content. Using a Prism DScopeIII via AES I created three measurements per model. Frequency response\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":24450,"url":"https:\/\/ericbeam.com\/?p=24450","url_meta":{"origin":24377,"position":1},"title":"Sonar X1 Pro Channel Softube saturation &#038; stock Tube saturation analyzed.","author":"Eric","date":"October 8, 2011","format":false,"excerpt":"For those of you wondering how the Softube saturation differs from the stock Sonar X1 tube model, this will go over the differences. \u00a0 This shows the harmonic plot of the Softube saturation driven to 3% THD+N. The harmonics after the 1st 1k tone are the added harmonics by Softube\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm7.static.flickr.com\/6236\/6224791917_cfe228f2f9_o.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm7.static.flickr.com\/6236\/6224791917_cfe228f2f9_o.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm7.static.flickr.com\/6236\/6224791917_cfe228f2f9_o.png?resize=525%2C300 1.5x"},"classes":[]},{"id":24430,"url":"https:\/\/ericbeam.com\/?p=24430","url_meta":{"origin":24377,"position":2},"title":"Duende Ver 2.5.9 DSP vs Ver 3.5.2 &quot;Hybrid&quot; Signal analysis","author":"Eric","date":"September 15, 2010","format":false,"excerpt":"Duende Ver 2.5.9 DSP vs Ver 3.5.2 \"Hybrid\" Signal analysis Bus Comp Sampling mode: 24-bit, 48 kHz Summary Frequency response +0.20, -0.59 +0.24, -1.27 Noise level, dB (A): -135.4 -138.1 Dynamic range, dB (A): 124.6 127.2 THD, %: 0.069 0.179 IMD + Noise, %: 2.277 2.197 Stereo crosstalk, dB: -138.9\u2026","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"Spectrum graph","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/mediaarchive\/wp-content\/uploads\/2010\/09\/Buscomp\/fr.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24530,"url":"https:\/\/ericbeam.com\/?p=24530","url_meta":{"origin":24377,"position":3},"title":"VCC Version 1.0\/2.0 comparison","author":"Eric","date":"March 29, 2015","format":false,"excerpt":"Info - Plugins analyzed with default values. Legend - Red = Frequency response Magenta = Distortion Green = Crosstalk Conclusion Minor changes in frequency response (mostly lowend), & a possible crosstalk issue in the new US A Ver 2.0 MixBuss. Channels MixBuss","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/03\/Brit-4k-G-ver-2-150x84.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/03\/Brit-4k-G-ver-2-150x84.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/03\/Brit-4k-G-ver-2-150x84.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/03\/Brit-4k-G-ver-2-150x84.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/03\/Brit-4k-G-ver-2-150x84.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/03\/Brit-4k-G-ver-2-150x84.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":24508,"url":"https:\/\/ericbeam.com\/?p=24508","url_meta":{"origin":24377,"position":4},"title":"Dolby A &#8220;trick&#8221; frequency plots.","author":"Eric","date":"January 12, 2014","format":false,"excerpt":"Ever curious what the Dolby A \"trick\" is doing to your audio? This is a\u00a0frequency plot from -62dBu \/ 26dBu in 2dB steps. Dolby A encoder on\/off comparison via exaggerated smashed to hell room mics. \u00a0 Off.wav On.wav","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2014\/01\/2.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2014\/01\/2.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2014\/01\/2.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2014\/01\/2.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2014\/01\/2.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2014\/01\/2.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":24537,"url":"https:\/\/ericbeam.com\/?p=24537","url_meta":{"origin":24377,"position":5},"title":"Hairball\/MNat Fet 500 Rev A vs Rev A Rack","author":"Eric","date":"November 29, 2015","format":false,"excerpt":"FET 500 Rev A vs Rack Rev A - With extreme SLAM setting on Kick FET 500 Rev A Rack Rev A \u00a0","rel":"","context":"In &quot;Analysis&quot;","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/12\/CUch6bQUcAAN9sH.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/12\/CUch6bQUcAAN9sH.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2015\/12\/CUch6bQUcAAN9sH.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24377"}],"version-history":[{"count":4,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24377\/revisions"}],"predecessor-version":[{"id":24988,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24377\/revisions\/24988"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/media\/5280"}],"wp:attachment":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}