{"id":24367,"date":"2008-07-06T23:51:51","date_gmt":"2008-07-07T07:51:51","guid":{"rendered":"http:\/\/9n2.ac0.myftpupload.com\/presetblog\/?p=202"},"modified":"2025-03-03T14:16:15","modified_gmt":"2025-03-03T22:16:15","slug":"urs-classic-console-strip-pro-analyzed","status":"publish","type":"post","link":"https:\/\/ericbeam.com\/?p=24367","title":{"rendered":"URS Classic Console Strip Pro analyzed."},"content":{"rendered":"

\"\"<\/a><\/p>\n

Input stage curves. <\/strong><\/p>\n

0 to 200% sweeps.<\/p>\n

Ever want to know what the input stages are doing? The input stages not only effect the tonal quality but more importantly change the Key response to the compressor.<\/p>\n

<\/p>\n

digital input
\n\"\"<\/a><\/p>\n

30ips
\n\"\"<\/a><\/p>\n

30ipsh
\n\"\"<\/a><\/p>\n

irona
\n\"\"<\/a><\/p>\n

ironb
\n\"\"<\/a><\/p>\n

ironc
\n\"\"<\/a><\/p>\n

irond
\n\"\"<\/a><\/p>\n

irong
\n\"\"<\/a><\/p>\n

tube1
\n\"\"<\/a><\/p>\n

tube2
\n\"\"<\/a><\/p>\n

1951
\n\"\"<\/a><\/p>\n

1967
\n\"\"<\/a><\/p>\n

1970
\n\"\"<\/a><\/p>\n

1972
\n\"\"<\/a><\/p>\n

1980
\n\"\"<\/a><\/p>\n

—————————————————————————–
\nEQ – & +15db “Q” Sweeps<\/strong><\/p>\n

1951 HFS @ 5k
\n\"\"<\/a><\/p>\n

1967 HFS @ 5k
\n\"\"<\/a><\/p>\n

1970 HFS @ 5k
\n\"\"<\/a><\/p>\n

1972 HFS @ 5k
\n\"\"<\/a><\/p>\n

1980 HFS @ 5k
\n\"\"<\/a><\/p>\n

——————————<\/p>\n

1951 Peak @ 5k
\n\"\"<\/a><\/p>\n

1967 Peak @ 5k
\n\"\"<\/a><\/p>\n

1970 Peak @ 5k
\n\"\"<\/a><\/p>\n

1972 Peak @ 5k
\n\"\"<\/a><\/p>\n

1980 Peak @ 5k
\n\"\"<\/a><\/p>\n

——————————<\/p>\n

1951 Peak @ 100hz
\n\"\"<\/a><\/p>\n

1967 Peak @ 100hz
\n\"\"<\/a><\/p>\n

1970 Peak @ 100hz
\n\"\"<\/a><\/p>\n

1972 Peak @ 100hz
\n\"\"<\/a><\/p>\n

1980 Peak @ 100hz
\n\"\"<\/a><\/p>\n

——————————<\/p>\n

1951 LFS @ 100k
\n\"\"<\/a><\/p>\n

1967 LFS @ 100k
\n\"\"<\/a><\/p>\n

1970 LFS @ 100k
\n\"\"<\/a><\/p>\n

1972 LFS @ 100k
\n\"\"<\/a><\/p>\n

1980 LFS @ 100k
\n\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Input stage curves. 0 to 200% sweeps. Ever want to know what the input stages<\/p>\n

Read the postURS Classic Console Strip Pro analyzed.<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[131],"class_list":["post-24367","post","type-post","status-publish","format-standard","hentry","category-analysis","tag-urs","excerpt","zoom","full-without-featured","even","excerpt-0"],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":24366,"url":"https:\/\/ericbeam.com\/?p=24366","url_meta":{"origin":24367,"position":0},"title":"URS saturation analyzed.","author":"Eric","date":"July 6, 2008","format":false,"excerpt":"\u00a0 Intensity sweeps of the saturation modes. Here you can see the added harmonic content & Frequency response if changed. Class A Tube Mic Pre Amplifier - Vintage Motorcity ------------------------------------------------------------------------------ Class A Tube Mic Pre Amplifier - German ------------------------------------------------------------------------------ Class A Discrete Pre Amplifier - British ------------------------------------------------------------------------------ Class A Discrete\u2026","rel":"","context":"In "Analysis"","block_context":{"text":"Analysis","link":"https:\/\/ericbeam.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2008\/07\/urssat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24387,"url":"https:\/\/ericbeam.com\/?p=24387","url_meta":{"origin":24367,"position":1},"title":"DIY – 16×2 – Passive Analog Summing Panel.","author":"Eric","date":"November 17, 2009","format":false,"excerpt":"Update : increased the channels from 12 to 16 (16x2) Made myself a nice little passive summing panel for my home rig out of parts lying around the shop. I wanted to simplify\/improve my final summing stage. Pleased with the results, Sounds great. Gives me piece of mind bypassing the\u2026","rel":"","context":"In "Hardware"","block_context":{"text":"Hardware","link":"https:\/\/ericbeam.com\/?cat=5"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/11\/DSC_0309.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/11\/DSC_0309.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/11\/DSC_0309.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/11\/DSC_0309.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/11\/DSC_0309.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2009\/11\/DSC_0309.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":24397,"url":"https:\/\/ericbeam.com\/?p=24397","url_meta":{"origin":24367,"position":2},"title":"Ratting up that drum bus. (Drum distortion)","author":"Eric","date":"April 19, 2010","format":false,"excerpt":"\u00a0 I'm a fan of over the top drum sounds. Sometimes that means full on distortion. Enter the RAT Deucetone (AKA \"douchetone\") It's a great duel input distortion stompbox just begging to be used as a bus insert. rat-bus rat-OH","rel":"","context":"In "Hardware"","block_context":{"text":"Hardware","link":"https:\/\/ericbeam.com\/?cat=5"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/mediaarchive\/wp-content\/uploads\/2010\/04\/DSC_0046-1024x676.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24473,"url":"https:\/\/ericbeam.com\/?p=24473","url_meta":{"origin":24367,"position":3},"title":"600 ohm termination?","author":"Eric","date":"June 6, 2012","format":false,"excerpt":"Have an older piece of gear that calls for a 600ohm load (1176, LA-2A, API, etc)? Interfacing it with modern high input impedance gear? You need to terminate. All it takes is a simple resister across its output. I like to create a simple little XLR pigtail for this task.\u2026","rel":"","context":"In "Ticks, Tips, & Tricks"","block_context":{"text":"Ticks, Tips, & Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/06\/7344927060_0e6b17c724_c.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/06\/7344927060_0e6b17c724_c.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/06\/7344927060_0e6b17c724_c.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2012\/06\/7344927060_0e6b17c724_c.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24463,"url":"https:\/\/ericbeam.com\/?p=24463","url_meta":{"origin":24367,"position":4},"title":"Time-lapse video \/ optical synth control experiment.","author":"Eric","date":"March 19, 2012","format":false,"excerpt":"While getting familiar with the d5100's time-lapse & video capabilities, the idea of video controlled synthesis came to mind. 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Explained by Dead Man Johnson…","author":"Eric","date":"August 4, 2011","format":false,"excerpt":"Ever wonder why the timing of what you record sounds so off? Or why you get phase problems while parallel processing out of the box? Well you might just have horrible timing, or you might need to figure out your I\/O offsets.\u00a0 A\/D D\/A's, drivers, & software can all contribute\u2026","rel":"","context":"In "Ticks, Tips, & Tricks"","block_context":{"text":"Ticks, Tips, & Tricks","link":"https:\/\/ericbeam.com\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ericbeam.com\/wp-content\/uploads\/2025\/03\/pro-tools-3rd-party-interface-re.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24367"}],"version-history":[{"count":2,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24367\/revisions"}],"predecessor-version":[{"id":25004,"href":"https:\/\/ericbeam.com\/index.php?rest_route=\/wp\/v2\/posts\/24367\/revisions\/25004"}],"wp:attachment":[{"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericbeam.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}