For everyone that designs, tests, creates, calibrates, or has an odd preference for what they consider “listening enjoyment”, This is for you.
Having calibrated utility & test files is a must for any audio engineer. The corner-stone being pink noise. When it comes to generating tones/noise ITB I have found most DAW to be severely lacking in this area. After much frustration with the incorrect Pro Tools signal generator “Pink”. I’ve captured Tones/Noise from a calibrated D-Scope & Dolby SDU4. I’ve also included the “industry standard” DMU file that is most commonly used.
Source –
- Prism dScope III via AES 24bit/96/48/44100
- Dolby SDU4 via AMS MIOS 24bit/96/48/44100
- Dolby DMU
White 0DBFS 44100 24bit DScope
Pink Noise -20 ref 0vu 45 sec SDU4 – 96000 24bit
Pink Noise -20 ref 0vu 45 sec SDU4 – 48000 24bit
Pink Noise -20 ref 0vu 45 sec SDU4 – 44100 24bit
Pink 0vu unfiltered 44100 24bit DScope
Pink 0vu unfiltered 96k 24bit DScope
Pink 0vu unfiltered 48k 24bit DScope
Pink 0vu 20-20k filtered 44100 24bit DScope
Pink 0vu 20-20k filtered 96k 24bit DScope
Pink 0vu 20-20k filtered 48k 24bit DScope
1k Tone -20 44100 24bit DScope
1k Tone 0DBFS 44100 24bit DScope
